Recent indie hits (think Andy Weir, Kristen Proby, and E.L.
James) have created a demand in the self-publishing market and libraries are
beginning to take notice.The truth is the majority of self-published books
found in a library's collection are written by local authors and are specific
to local areas. These books are usually found in the genealogy or local history
collection. More scrutiny is often given
to self-published, non-fiction books before they are added to the collection
and are dependent on the strong credentials of the subject matter and the
author. However, there is an emerging trend in the fiction self-publish market.
Many
authors became frustrated and disillusioned with the difficulty of getting
their work
published. Propelled by the huge demand for romance,
science fiction and adventure novels,
many authors searched for alternative avenues to bring
their books directly to the reader. To fill
this void in the publishing industry, companies such as
Smashwords, Amazon and other self-
publishing organizations make available for authors to
self-publish their books directly to the
public via e-readers. Savvy authors are learning to
market and distribute their own books by
using algorithms used for online book
recommendations. Authors who go the
self-publishing
route have more freedom over their work, have access to
vast area of readers and keep a larger
share of royalties.
E-books are not the only format used by self-published authors, they are
also
expanding into print and audio-books. According to the
article Self-Publishing in 2017 "self-
publishing continues to expand, with ISBN registrations
jumping 21% from 2014 to
2015 (the most recent data available), according to the
bibliographic solutions company
Bowker" (Daniel, 2017). This does not include the
30% of self-publishers who do not register for ISBN
numbers. With the expanding self-published market,
libraries need to recognize alternative
inclusion of materials outside of the traditional
collection policies in order to provide a wider
variety of materials to library users.
Challenges
Self-published
books face several challenges in becoming recognized as legitimate
contenders for a spot in the library's collection, let
alone included as part of readers' advisory.
Libraries are not yet embracing the self-published trend
despite the increase in self-published
material. Librarians generally think self-published books
as lesser quality that do not go through
the same rigors of vetting as traditional published
works. They believe that self-published
books
lack formatting and editing appeal, such as spacing,
typesetting flaws, spelling and grammatical
errors. They also reject self-published books for lacking
peer review. In order to establish a
reputation within the self-published industry, many
authors are producing quality products by
using freelancer
services.
Librarians
currently rely on a well established practices to acquire material for the
library.
Independent authors work outside the parameters of the
establishment, so it makes inclusion a
little more costly and time-consuming. Librarians must
determine how to locate, review, select
and incorporate self-published books while holding them
to the standard collection development
policy requirements. Since authors work outside of vendors,
they may not have the business
skills needed for the invoicing process if their book is
chosen. Once chosen, technical services
will need to perform original cataloging to generate
bibliographic records.
Librarians
realize that the self-published collection are generally small compared to the
regular collection, so staff time will be minimum.
Libraries are taking a variety of approaches to
add local and general self-published authors to their
collection through the use of e-book
platforms such as Overdrive. It would be helpful if
authors manage to get their books into vendor
catalogs or on genre websites that list upcoming
books.
Independent
authors who work only in electronic format are now represented on
Overdrive thanks to a deal made with Smashwords. It is
now possible to have books available
that are equally represented by genre, instead of a
separate category listing for self-published
material. Self-published authors are also gaining in the
book market thanks to review sites such
as Self-Publishing Review (www.selfpublishingreview.com),
Publisher's Weekly's Book Life
(www.booklife.com), and Goodreads (www.goodreads.com).
The
value of offering library users a diverse and fresh collection overrides all
the
challenges faced with the inclusion of self-published
material. Libraries should keep in
mind
that "books need to find their readers to achieve
their full value, and libraries offering self-
published titles are keeping the readers in mind as well
as the authors" (Landgraf, 2015). This
goes with fulfilling the library's obligation to offer an
outlet for self-published books, particularly
local authors, by making material available for users of
all ages, genres, orientations, and ethnic
backgrounds. By doing so, libraries would be supporting
the mission to include all phases of the
creative process.
With
the inclusion of self-published book in the library collection, librarians have
a wider
variety of materials to add to readers' advisory. Supporting the promotion of the collection
provides a greater connection with the community in
general and the local writer's community in
particular.
Libraries could feature a readers' advisory which would include
traditional and
independent authors on special bookmarks, book displays,
end caps and finding aids. Classes and
workshops create a great opportunity where
self-publishing authors could learn, network and
promote their books. Other options could include book
lists, reviews, annotations and read alike
ideas. Interactive
forms could provide the public a way to share and comment on their favorite
self-published author or book. Book trailers adds a nice
visual element to the promotion of
materials.
Library
catalogs provide a powerful promotional tool through the inclusion of tags and
reviews attached to item records. Tagging is used by many in the commercial
industry to
provide more useful and honest assessment of reading materials. Many cataloging systems
search for materials through a series of subject headings
and neutral descriptors that are ideal for
searching non-fiction materials. Many users search for fiction titles through
the use of emotions
and reading experience and traditional cataloguing fails
to connect with fiction readers which
requires a more personal approach. Catalog use of tagging
would allow user-generated reviews
to share the same interests with like-minded readers.
User-generated content would complement
traditional cataloguing features to enhance user's search
options by connecting the right book to
the right reader.
For
those library users who do not often visit the library, an online reader's
advisory
presence could be very beneficial. Working with customers in-person could
sometimes be
awkward due to the constraints working at a public
desk. Interviews are sometimes rushed
and
inefficient as librarians juggle multiple tasks at once
and recommending the right book,
especially self-published, is difficult at best. An online presence through the library's
website would help provide more personalized readers'
advisory interview and alleviate any
potential impediments of an in-person interview. This will likely appeal to some customers due
to the privacy and convenience it affords. Many libraries have an Ask-A-Librarian link
where
library users could ask a question and will receive a
response in a timely manner. This will
allow the librarian to have a dialog with the user and
find material to best serve their needs.
The
challenge with Ask-A-Librarian is the dialog takes place
through email and a ready response is
not always possible.
Readers' advisory questions are too numerous and do not support the
slower response of the Ask-A-Librarian feature. The library website could also provide links
to
external websites, event calendar, and other resources
that could include published and self-
published material.
The library website should be updated often to keep the content current
and
interesting.
Providing
virtual service is not limited to the library's website, social media is strong
marketing tool many libraries are utilizing. Facebook, Twitter, and blogs are known to
draw
many to services that might be overlooked in a physical
library setting and would reach out to
different customer types that normally do not access the
physical library location. The increase
in tablets and mobile devices allows users to access
library content via the internet remotely from
any location.
Social media is a great way to communicate and promote readers' advisory
services, both published and self-published authors.
Social
media is a great resource to feature books, authors and specific genres. Librarians
could easily add selected language to engage readers'
interest and create a discussion. Social
media appeals to many users due to the personalization of
having direct communication with
knowledgeable library staff and like minded-readers. It could include titles and reviews not
found on the library catalog and alert users about
upcoming books and displays. Reading
suggestions and read a-likes could be featured along with
links that will direct patrons to website
with further information.
Followers of the library's social media could attract more users as they
share information with family and friends. Social media will also provide the needed to
research
popular and new self-published authors.
Challenges
libraries might face when implement readers' advisory on social media, would
be the need to establish guidelines, staff training and
experience with social media tools, and
sufficient time for staff to implement readers' advisory
sources.
An
indirect advantages of the use of social media is the collection of data to
provide
statistical summaries from patrons comments and links
visited. This valuable insight could be
used to update services and to guide in the library's
long-range goals to further serve the
community.
Thanks for the reference to Self-Publishing Review. I hadn't heard of them before and I've seen far too many poorly edited and proofed independent books. As purchaser for our YA collection at my library, when I see that a book is self-published I am immediately on point; I know that I need to give it extra scrutiny. I guess that doesn't seem fair, and I certainly know of independent books that have been superb (like the one I reviewed for the sci fi assignment, Wool by Hugh Howey), but I also owe it to my library, my teen patrons, and our taxpayers to be sure I'm only buying top quality materials. It looks like Self-Publishing Review can help me do that and still support indie authors, so thanks for that great tip!
ReplyDeleteI had no idea that self-published books were so common. Most of the ones that I have seen have been how-to guides or blog writers who published a book on a certain topic. I did not realize that they were so big in fiction. For me personally, I rely pretty heavily on reviews and author credibility. I am wary of someone who is brand new without any reviews for the book. Plus, they get a lot less advertising since (I assume) they have to provide that for themselves. I can definitely see how it could be hard to make a self-published book known. I know that there are most likely plenty of wonderful self-published books, but I don't feel comfortable diving into buying them for my library without the credibility and sources to back them up as a valid purchase.
ReplyDeleteJust to throw it out there, I have heard that Kirkus does an Indie review. I just looked up some info on it. A single review costs $425! I am sure that isn't cheap for someone who is self-publishing. Kirkus Indie might be a good way to get libraries started on buying self-published works, though.